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Free for Commercial Use

Serif Humanist Biba 6 is a regular weight, normal width, high contrast, italic, normal x-height font.

Keywords: editorial, book design, magazines, invitations, quotations, classic, literary, elegant, warm, text italic, classic refinement, calligraphic tone, elegant emphasis, calligraphic, bracketed, lively, flowing, refined.


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This italic serif shows pronounced calligraphic construction with a rightward slant, high stroke contrast, and delicately bracketed serifs. Curves are generously rounded and slightly swelling, while terminals often finish in tapered, pen-like points that create an animated rhythm. Capitals feel formal yet fluid, with gently modulated strokes and open counters; the lowercase is compact and quick-moving, with a single-storey a and g and a notably expressive ampersand. Numerals follow the same italic, high-contrast logic, reading as crisp and traditional with subtle old-style nuance in their curvature and weighting.

It is well suited to editorial typography, book interiors, and magazine features where a classic italic voice is needed for emphasis, quotations, and lead-ins. The distinctive high-contrast strokes and calligraphic terminals also make it effective for elegant invitations, cultural programs, and tasteful branding applications that benefit from a refined, traditional feel.

The overall tone is classical and literary, with an elegant, cultivated presence that still feels human and handmade. Its lively italic motion adds a conversational warmth, making the text feel articulate rather than mechanical. The contrast and tapered finishes lend a refined, slightly dramatic character suitable for expressive typography.

The design appears intended to translate broad-nib or pointed-pen italic principles into a polished text face: high contrast, tapered joins, and bracketed serifs are used to create a flowing line while maintaining readability. Its proportions and rhythm suggest a focus on graceful, literary setting rather than blunt utility.

At larger sizes the letterforms read especially well, where the sharp hairlines, swelling curves, and angled entry/exit strokes become clear design features. The italic angle is consistent across letters and figures, giving paragraphs a coherent forward movement without looking overly compressed.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸