Sans Superellipse Halij 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Futo Sans' by HB Font, 'Metronic Pro' by Mostardesign, and 'Bitner' by The Northern Block (names referenced only for comparison).
Keywords: headlines, logotypes, posters, ui labels, packaging, tech, industrial, futuristic, utilitarian, confident, technical voice, modular styling, brand distinctiveness, display impact, squared-round, rounded corners, geometric, stencil-like, compact.
A heavy, monoline sans with squared-round construction: curves resolve into rounded-rectangle bowls and terminals, producing a compact, engineered silhouette. Corners are consistently softened rather than fully circular, and many joins favor crisp, angular transitions. Several letters show deliberate breaks or cut-ins (notably in capitals like B, D, and G, and in the capped top of T), giving a semi-stenciled, modular feel. Round characters (O, Q, 0, 8, 9) are superelliptical and dense, while diagonals in A, K, V, W, X, and Y are sharp and stable, reinforcing a technical rhythm across the set.
Best suited to display settings where its blocky, squared-round shapes can carry identity—headlines, posters, branding marks, and product packaging. It also works well for UI labels and short interface text where a robust, technical tone is desired, though its distinctive cut-ins and tight counters may ask for moderate sizing and spacing in longer passages.
The overall tone is modern and machine-made, with an assertive, no-nonsense voice. Its squared-round geometry and purposeful interruptions read as tech-forward and industrial, suggesting interface design, hardware, or sci‑fi branding rather than humanist warmth.
The design appears intended to deliver a bold, geometric voice built from rounded-rectangle primitives, balancing legibility with a crafted, modular character. The selective breaks and inset strokes feel purposeful, adding a signature “engineered” detail that differentiates it from more neutral grotesques.
Digit design is especially distinctive: the 2 and 3 are open and segmented, the 4 has a wide, hooked foot, and the 0 is rounded-rectangular and very even in weight. Lowercase forms keep a straightforward, engineered structure (single-storey a, compact e, simple r), maintaining legibility while preserving the font’s modular personality.