Sans Superellipse Ongez 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'UNicod Sans' by Mostardesign, 'Knul' by The Northern Block, 'Boxed' by Tipo Pèpel, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, ui labels, techno, industrial, futuristic, confident, utilitarian, modernize, systematize, strengthen, digitize, simplify, rounded corners, squared curves, compact, sturdy, mechanical.
A geometric sans built from rounded-rectangle curves and straight, monoline strokes. Corners are consistently softened into superellipse-like radii, giving bowls and counters a squared-round silhouette (notably in C, G, O, Q, and 0). The design favors compact apertures and tight internal space, with sturdy verticals, flat terminals, and crisp junctions that keep the texture even and controlled. Uppercase forms are broad and blocky, while lowercase maintains a simplified, engineered feel with minimal modulation and a clean, consistent rhythm across text.
Well suited to headlines, logos, and brand marks where a technical, engineered presence is desired. It also fits UI labels, product screens, dashboards, and packaging that benefit from a clean, robust, squared-round aesthetic. In longer copy, it works best when ample size and spacing preserve the compact counters and tight apertures.
The overall tone is modern and technical, with a device-interface vibe that feels purposeful and no-nonsense. Its squared-round geometry reads as futuristic and industrial rather than friendly, projecting strength and efficiency. The uniform stroke and compact counters contribute to a confident, streamlined voice.
The design appears intended to merge geometric clarity with a softened, superellipse construction, producing a contemporary sans that feels both precise and durable. By keeping strokes uniform and corners consistently rounded, it aims for strong consistency across letters and figures, optimized for high-impact display and interface-style typography.
Figures follow the same squared-round logic as the letters, creating a cohesive alphanumeric set suited to codes and readouts. Angular diagonals (V, W, X, Y, Z) contrast with the softened corners elsewhere, adding snap and forward motion without breaking the system. The bold, condensed-looking inner spaces suggest best performance at display sizes where the rounded-rect details remain clear.