Sans Normal Abdem 18 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Peridot Latin' and 'Peridot PE' by Foundry5, 'Flink Neue' by Identity Letters, and 'Neue Campton' and 'Quarion' by René Bieder (names referenced only for comparison).
Keywords: branding, headlines, ui, posters, signage, modern, dynamic, clean, sporty, technical, contemporary, clarity, momentum, versatility, geometric, oblique, open apertures, rounded forms, even strokes.
This typeface is a slanted, sans design with smooth, rounded geometry and even stroke thickness throughout. Letterforms are built from simple circular and elliptical curves with crisp terminals, producing clean counters and open apertures. Uppercase shapes feel broad and steady, while the lowercase maintains a straightforward, contemporary construction with a single-storey "a" and compact, efficient forms. Numerals match the same oblique rhythm and balanced, uncluttered construction, with clear, readable shapes.
Well-suited to brand identities that want a modern, forward-leaning voice, as well as headlines and poster typography where the slant can create momentum. It also fits interface and product contexts that benefit from a clean, contemporary sans, and can work for short-to-medium passages where a crisp, energetic texture is desired.
The overall tone is contemporary and energetic, with an oblique posture that adds motion and urgency without becoming expressive or decorative. Its clean geometry and restrained detailing give it a neutral, professional character that can lean sporty or tech-oriented depending on context.
The design appears intended to deliver a modern, geometric sans with an inherent sense of motion, balancing clarity with a streamlined, contemporary look. Its consistent stroke behavior and simple constructions suggest a focus on versatility and legibility across display and practical applications.
Spacing appears generous enough to keep the italic rhythm from feeling cramped, and the consistent stroke logic helps maintain clarity in longer lines. Round letters (like C, O, and Q) emphasize the geometric backbone, while diagonals (V, W, X, Y) add a sharp, forward-leaning cadence.