Sans Superellipse Wude 3 is a very bold, very wide, high contrast, upright, tall x-height font visually similar to 'House Sans' and 'House Soft' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, assertive, techy, playful, impact, robustness, modernity, approachability, blocky, rounded, compact, sturdy, geometric.
A heavy, block-driven sans with rounded-rectangle (superellipse) construction and prominent corner radii. Counters are compact and mostly rectangular, with smooth interior rounding that keeps dense shapes from clogging at display sizes. Strokes are generally monolinear in feel, with strong horizontals and verticals and minimal diagonal refinement, producing a steady, poster-like rhythm. Proportions skew broad and low-contrast in silhouette, and the lowercase shows a large x-height with short ascenders/descenders, making text look solid and tightly stacked. Numerals follow the same squared, rounded logic for a consistent, modular texture.
Best suited to large sizes where its dense weight and broad forms can deliver maximum impact—headlines, posters, and attention-grabbing signage. It can also work well for sports and gaming identities, product packaging, and bold UI labels where a compact, rounded-rect geometry helps maintain clarity and presence.
The overall tone is bold, confident, and utilitarian, with a sporty, headline-forward energy. The rounded corners soften the impact, adding a friendly, game-like or tech-interface vibe while staying clearly industrial and no-nonsense.
The design appears intended to deliver an ultra-solid display voice built from rounded-rect geometry: strong, readable letterforms with softened corners for approachability. The large x-height and compact counters suggest a focus on punchy headlines and short text that remains cohesive and consistent across mixed case and numerals.
Spacing and sidebearings appear tuned for big type, creating a compact, impactful word shape. Round letters (like O/C) read as squarish forms with generous radii, and terminals tend to end bluntly rather than taper, reinforcing the sturdy, engineered aesthetic.