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Free for Commercial Use

Slab Square Kato 1 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Playbill' by Bitstream, 'Playbill EF' by Elsner+Flake, 'Playbill' by Linotype, 'Playbill SB' and 'Playbill SH' by Scangraphic Digital Type Collection, 'Playbill' by URW Type Foundry, and 'French Clarendon Expanded' by Wooden Type Fonts (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, event promo, western, circus, vintage, playful, punchy, high impact, retro display, space saving, poster voice, woodtype nod, blocky, condensed, bracketed slabs, ink-trap notches.


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A condensed, heavy display face with chunky slab-serifs and mostly square-ended terminals. Strokes are thick and compact, with tight internal counters and noticeable notched cut-ins where stems meet bowls and joints, giving a slightly carved, stamped look. The lowercase is tall and sturdy with minimal stroke modulation, while rounded letters (like O/C) keep a squarish, compressed geometry. Numerals match the dense rhythm and share the same cut-in detailing, producing a strongly unified, poster-forward texture in lines of text.

Best suited to display settings where impact matters: posters, mastheads, large headlines, and branded lockups. It also fits packaging and signage that aims for a vintage Western, circus, or saloon-poster flavor, and it can add character to short pulls, labels, and title treatments.

The overall tone feels classic show-poster and frontier-inspired—bold, attention-seeking, and a bit theatrical. Its cut-in joints and compressed proportions add a gritty, handbilled character that reads as nostalgic and energetic rather than polished or corporate.

Likely designed to deliver maximum presence in a condensed footprint, combining slab-serif authority with decorative cut-in joins that evoke wood type and letterpress-era display printing. The goal appears to be unmistakable personality and strong silhouette for attention-grabbing typography.

Spacing appears intentionally tight, creating a dark, continuous typographic color that works best when set with a bit of breathing room via tracking and generous leading. The distinctive notch details become a key identifying feature at display sizes, while very small sizes may fill in due to the narrow counters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸