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Sans Other Obfi 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Morgan Poster' by Feliciano, 'Heavy Duty' by Gerald Gallo, 'EFCO Colburn' by Ilham Herry, 'First Prize' by Letterhead Studio-VG, 'Amboy' by Parkinson, 'Huberica' by The Native Saint Club, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, logos, album art, packaging, gothic, poster, retro, blackletter-like, dramatic, impact, thematic display, gothic flavor, retro signage, branding character, angular, wedge-cut, notched, compact, monumental.


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This typeface is built from heavy, blocky strokes with sharply chiseled edges and frequent wedge-like cut-ins that create a carved, notched silhouette. Curves are minimized and counters tend to be rectangular or slit-like, producing a dense, high-impact texture. Terminals often flare or pinch into pointed corners, and many letters show small internal notches that suggest incised tooling rather than smooth geometry. Spacing and rhythm feel intentionally irregular in places, with some characters reading more condensed or expanded, reinforcing a handcrafted, display-oriented construction.

Best suited for short, attention-grabbing applications such as headlines, posters, branding marks, and packaging where the carved angles can be appreciated at larger sizes. It also fits themed graphics—horror, fantasy, gothic, or retro-industrial—where a forceful, stylized tone is desired.

The overall tone is bold and theatrical, evoking vintage poster lettering, gothic signage, and a slightly ominous, medieval-tinged attitude. Its jagged, carved details give it an assertive voice that feels ceremonial and dramatic rather than neutral or everyday.

The design appears intended to deliver maximum impact through mass and angular carving, blending a sans-like skeleton with blackletter-inspired cuts and flares. Its goal is expressiveness and atmosphere over neutrality, prioritizing distinctive silhouettes and a strong, ink-heavy texture for display use.

In text settings, the dense forms and sharp cut-ins create strong visual patterning and a dark color on the page. Distinctive shapes in letters like S, W, and the diagonal-heavy forms add character, but the pronounced notches and tight apertures can reduce clarity at smaller sizes, especially in longer passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸