Sans Faceted Idmon 5 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: display, headlines, ui labels, wayfinding, tech branding, futuristic, technical, minimal, architectural, precision, geometric styling, technical voice, modernization, systematic construction, sci‑fi flavor, faceted, angular, geometric, octagonal, monolinear.
A monolinear sans built from straight strokes and clipped corners, replacing curves with short planar facets that form octagonal bowls and chamfered terminals. Proportions are tall and airy with generous counters and a measured, slightly condensed rhythm, while joins stay crisp and consistent across rounds like C, O, and G. Vertical stems are clean and even, horizontals are sparse and restrained, and diagonals in A, K, V, W, X, and Y keep a steady angle that reinforces the engineered geometry. Figures follow the same faceted construction, with an angular 2 and 3 and octagonal 0, 8, and 9 that read as outlined, schematic forms.
Best suited to display settings where its faceted construction can be appreciated—headlines, posters, sci‑fi or tech branding, interface labels, and wayfinding-style signage. It can work for short paragraphs at larger sizes, but the very light, schematic stroke quality will generally read more confidently in titles and labels than in dense body copy.
The overall tone feels futuristic and instrument-like, with a calm, clinical precision that evokes technical labeling and architectural drawing. Its faceted geometry and open spacing suggest an engineered, modern voice rather than a humanist or calligraphic one.
The design appears intended to translate a geometric, machined aesthetic into a legible sans by systematically chamfering curves and standardizing angles. It emphasizes consistency of facets and clean rhythm to project a contemporary, technical identity while keeping letterforms open and readable.
In text, the thin stroke and faceted corners create a crisp, wiry texture that benefits from ample size and spacing. The angular bowls and clipped terminals give strong stylistic cohesion, while the simplified crossbars and open forms keep the line of text light and unobtrusive.