Sans Faceted Idmon 9 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, ui labels, tech packaging, technical, futuristic, minimal, architectural, precise, geometric styling, tech tone, constructed forms, clean display, monoline, angular, faceted, octagonal, geometric.
A very thin, monoline sans with a geometric, faceted construction that replaces curves with short straight segments and clipped corners. Many bowls and rounds resolve into octagonal-like outlines, while vertical stems stay straight and crisp, creating a consistent, engineered rhythm. Proportions are clean and fairly open, with simple joins and minimal modulation; diagonals are sharp and lean, and counters remain airy due to the fine stroke. Overall spacing reads even and measured, supporting clear letter-by-letter shapes despite the skeletal weight.
Best suited to display settings where its faceted geometry can read as a deliberate style choice—headlines, wordmarks, posters, and tech-forward branding. It can also work for short UI labels or interface accents where a precise, lightweight voice is desired, though the fine strokes suggest avoiding very small sizes or low-contrast reproduction contexts.
The faceted geometry and hairline strokes convey a technical, futuristic tone with an architectural neatness. Its clipped corners and polygonal curves feel schematic and instrument-like, giving text a cool, precise voice rather than a warm or organic one.
The font appears designed to merge a neutral sans structure with a polygonal, chamfered drawing logic, producing a crisp sci‑fi/technical aesthetic while keeping letterforms familiar enough for straightforward reading. The emphasis is on consistent straight-segment construction and clean negative space rather than expressive stroke contrast.
The design’s character comes from consistently chamfered corners on round forms (notably in C, G, O and numerals) and from straightforward, almost drawn-with-a-plotter linework. Some glyphs introduce subtle idiosyncrasies—like angular terminals and simplified crossbars—that reinforce the constructed, modular feel in continuous text.