Sans Faceted Iptu 1 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Proto Mono' by ATK Studio and 'Archimoto V01' and 'Nue Archimoto' by Owl king project (names referenced only for comparison).
Keywords: ui labels, code display, data tables, signage, gaming, techy, industrial, retro, utilitarian, arcade, systematic, grid alignment, technical tone, retro tech, compact text, octagonal, chamfered, geometric, stencil-like, squared.
A geometric, faceted sans with uniform stroke thickness and consistently chamfered corners that replace most curves with short straight segments. Counters tend toward octagonal/squarish shapes, and terminals are cleanly clipped rather than rounded. Proportions are compact with steady rhythm across capitals, lowercase, and numerals, and the letterforms keep a crisp, engineered feel with minimal contrast and no calligraphic modulation. Distinctive shapes like the octagonal 0, angular C/S, and segmented bowls reinforce the planar construction.
This font suits UI labeling, dashboards, and technical documentation where evenly spaced characters support alignment in tables and code-like layouts. It also works well for compact headings, signage, and on-screen graphics that benefit from a crisp, angular silhouette and a controlled, modular rhythm.
The overall tone reads technical and machine-made, with a subtle retro-digital flavor. Its clipped geometry feels purposeful and utilitarian—more like labeling, equipment marking, or interface text than expressive handwriting or editorial typography.
The design appears intended to translate a hard-edged, engineered geometry into a readable text face, prioritizing consistency, grid-friendly structure, and a distinctive faceted construction over organic curves. The uniform spacing and clipped corners suggest an emphasis on systematic layout and a clean, technical voice.
The faceting is applied very consistently across the set, producing strong edge definition and clear pixel-adjacent geometry without actually becoming pixel-art. The numerals and uppercase forms look especially suited to structured layouts, while the lowercase maintains the same angular logic for cohesive texture in longer lines.