Sans Superellipse Ifhu 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Sicret' by Mans Greback, 'Enaoko' by Marvadesign, 'Stallman Round' by Par Défaut, and 'Grid Hero' by PizzaDude.dk (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, packaging, retro, playful, chunky, futuristic, friendly, impact, distinctiveness, retro display, geometric clarity, playfulness, rounded, soft corners, squared bowls, compact, stencil-like.
A heavy, rounded-rect sans with soft corners and mostly uniform stroke weight. Curves are built from squarish bowls and superellipse-like geometry, giving counters a boxy feel (notably in O, Q, and 8) and producing a compact, blocky silhouette. Several joins and terminals show deliberate cut-ins and pinched notches that create a semi-stencil rhythm, while horizontals and shoulders stay broad and stable. The lowercase follows the same geometric logic with simple, sturdy forms and small, rounded dots on i and j; figures are equally chunky with squared internal counters.
Best suited to display typography such as headlines, posters, branding marks, packaging, and short punchy phrases where its chunky geometry and notched detailing can be appreciated. It can also work for large UI labels or section headers when a bold, characterful voice is desired.
The overall tone is bold, playful, and retro-leaning, with a slightly sci‑fi display flavor. Its softened corners keep it friendly, while the notches and squared counters add a quirky, engineered character that reads as attention-grabbing and graphic.
The design appears aimed at delivering a highly graphic, geometric sans with softened edges and a distinctive notched construction, balancing friendly rounded shapes with a bold, engineered presence for impactful display use.
At larger sizes the distinctive cut-ins and squared counters become a defining texture across words, creating a strong, poster-like color on the page. In dense settings the interior apertures and notches can start to merge visually, so spacing and size choices will strongly affect clarity.