Sans Superellipse Fyled 10 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Grandheron Sans New' by André Simard, 'Neusa Neu' by Inhouse Type, 'Chandler Mountain' by Mega Type, 'Yoshida Sans' and 'Yoshida Soft' by TypeUnion, and 'Tolyer' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, sportswear, branding, packaging, sporty, assertive, retro, energetic, punchy, impact, speed, approachability, modern geometry, rounded, soft-cornered, chunky, slanted, compact.
A heavy, slanted sans with rounded-rectangle construction and generously softened corners. Strokes are thick and uniform, with compact interior counters and a sturdy, blocky silhouette that stays smooth rather than sharp. Curves tend to resolve into superelliptical bowls (notably in C, O, D, and 0), while joins and terminals are broadly cut and slightly sheared, reinforcing a forward-leaning, aerodynamic feel. The overall rhythm is tight and dense, producing dark, stable word shapes with consistent weight across caps, lowercase, and figures.
Best suited to headlines, logos, and short statements where a dense, high-impact texture is desirable. It works well for sports and streetwear aesthetics, product packaging, and promotional graphics, especially when set large where the rounded counters and distinctive slant can read cleanly.
The tone is bold and driven, with a sporty, poster-like confidence. Its rounded geometry keeps the voice friendly and approachable, while the strong slant and massed shapes add speed and urgency. The result reads as energetic and slightly retro, suited to impact-oriented messaging rather than quiet typography.
The design appears aimed at delivering maximum impact with a smooth, modernized geometric skeleton. By combining rounded-rectangle forms with a consistent forward slant and broad terminals, it emphasizes speed, strength, and friendliness in display-oriented typography.
Diagonal cuts and angled terminals show up repeatedly (for example on E/F/T and some lowercase endings), helping maintain momentum across lines. Numerals follow the same soft-rectangular logic, staying legible through simplified forms and large, dark bodies.