Outline Tibo 10 is a very light, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, editorial, art deco, elegant, fashion, airy, refined, display focus, vintage glamor, luxury tone, decorative outlines, monoline, hairline, outlined, decorative, display.
A monoline outline serif with hairline outer contours and generous interior counters that create an open, hollow look. The letterforms are broadly proportioned with a steady, upright posture and crisp, pointed serifs that read as triangular wedge terminals rather than bracketed details. Curves are smooth and geometric, while joins and stroke endings stay clean and sharp, producing a consistent, architectural rhythm across capitals, lowercase, and figures. Numerals and round letters emphasize the outline construction, with clearly separated inner and outer paths that remain even and controlled at display sizes.
Best suited to headlines, magazine titles, packaging, and brand marks where the outline construction can be appreciated. It works well for period-inspired or luxury-facing designs, and for large-format posters or signage where the crisp serifs and open counters stay legible.
The overall tone feels glamorous and poised, with a vintage display sensibility reminiscent of early 20th‑century signage and editorial titling. Its airy outlines and precise serif points give it a polished, high-society character that can also read theatrical when set large.
The design appears intended as a decorative outline serif for display typography, prioritizing a distinctive silhouette and elegant negative space over dense text texture. Its consistent hairline contours and wide proportions suggest use in prominent, high-impact settings where a refined, vintage-leaning voice is desired.
Because the design relies on thin contours, the texture is light and spacious; it benefits from ample size and careful spacing to keep the outlines from visually dissolving. The distinctive outline structure is especially noticeable in rounded forms and figures, where the double contours become a primary stylistic feature.