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Free for Commercial Use

Serif Flared Pobu 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice, 'Brick Records' by Dora Typefoundry, 'Famiar' by Mans Greback, and 'Chunky Delight' by Wildan Type (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, book covers, assertive, vintage, playful, friendly, punchy, display impact, vintage flavor, brand voice, warm authority, flared terminals, bracketed serifs, soft corners, compact fit, high impact.


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A heavy, high-impact serif with strongly flared stroke endings and bracketed serifs that create a sculpted, carved feeling. Strokes show moderate contrast, with sturdy verticals and fuller joins, and the overall drawing favors rounded interior counters and softened corners rather than razor-sharp details. The lowercase is compact and weighty, with a single-story “a” and a robust “g,” while the numerals and capitals feel blocky and stable. Spacing appears tight-to-moderate, producing dense, dark word shapes that hold together well at display sizes.

Well-suited to display typography such as headlines, posters, packaging, and identity work where a strong, vintage-leaning serif voice is needed. It can also work for short editorial elements—subheads, pull quotes, and section openers—where the dense weight and flared terminals add emphasis without requiring fine detail at small sizes.

The tone is bold and characterful, combining old-style, poster-like gravity with a slightly whimsical friendliness. Its chunky forms and flared endings suggest a nostalgic, headline-driven voice—confident, attention-grabbing, and a bit theatrical rather than neutral or minimalist.

The design appears intended to deliver maximum presence with a traditional serif structure, using flared terminals and rounded counters to keep the tone approachable. It aims for a memorable, poster-ready texture that balances classic cues with bold, contemporary punch.

The face reads best where its flare and heavy joins can be appreciated; in longer passages the dense color may feel insistent. Distinctive curves and terminals give it a recognizable silhouette, making it effective for branding and titling where personality is desired.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸