Sans Superellipse Ragaj 1 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Nexusbold Sans' by Ferry Ardana Putra, 'Brave Face' by Palmer Type Company, 'Hype vol 2' and 'Hype vol 3' by Positype, 'Neuro X' by Sawdust, and 'Agharti' by That That Creative (names referenced only for comparison).
Keywords: posters, headlines, branding, signage, packaging, industrial, condensed, authoritative, retro, poster-ready, space-saving impact, display emphasis, signage clarity, geometric consistency, monoline, tall, compressed, squared-round, compact.
A tall, tightly condensed sans with heavy, monoline strokes and rounded-rectangular (superelliptic) shaping throughout. Counters are narrow and vertically oriented, with rounded terminals and softened corners that keep the dense forms from feeling brittle. The overall rhythm is compact and vertical, producing a strong columnar texture in text. Numerals and capitals follow the same compressed geometry, emphasizing height and economy of width.
Best suited for display applications where space is tight but impact is required—posters, bold headlines, badges, packaging, and storefront or wayfinding-style signage. It can work for short UI labels or navigation elements when set large enough, but extended reading text may feel visually dense without added spacing.
The font projects a confident, no-nonsense tone with an industrial edge, balanced by friendly rounded corners. Its compressed massing feels emphatic and attention-grabbing, with a slightly retro, display-oriented flavor reminiscent of bold headlines and signage.
Designed to deliver maximum punch in minimal horizontal space, pairing heavy strokes with softened geometry for a controlled, contemporary-industrial look. The consistent rounded-rectangular construction suggests an intention toward clear, repeatable forms that hold up well in bold, high-contrast layouts.
In longer lines, the dense vertical texture creates a strong black presence; generous tracking can help breathing room when used at headline sizes. The rounded-rectangle construction stays consistent across uppercase, lowercase, and figures, giving a cohesive, system-like feel.