Sans Superellipse Ragaj 9 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Coign' by Colophon Foundry, 'Compacta' by ITC, 'Tusker Grotesk' by Lewis McGuffie Type, and 'Cimo' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, authoritative, condensed, urban, headline, space saving, high impact, modern display, geometric consistency, blocky, geometric, rectilinear, compact, monoline.
A condensed, monoline sans with tall proportions and rounded-rectangle (superelliptic) counters. Strokes stay largely uniform, producing a dense, high-ink texture and a steady vertical rhythm. Curves are squared-off and softly rounded at the corners, giving bowls and apertures a compact, engineered feel; joins are clean and mostly orthogonal. Spacing appears tight and efficient, with narrow internal counters that reinforce the compressed silhouette in both uppercase and lowercase.
Best suited to display settings where a compact, high-impact voice is needed—headlines, posters, cover lines, and bold branding systems. The condensed width helps fit long titles into tight spaces, making it useful for packaging, signage, and editorial punch lines where strong typographic presence is the priority.
The overall tone is forceful and utilitarian, with a contemporary, industrial edge. Its compressed stance and heavy color project urgency and confidence, reading as modern and no-nonsense rather than delicate or expressive.
Designed to deliver maximum impact in minimal horizontal space, with a geometric, superelliptic construction that keeps the letterforms consistent and tightly controlled. The intent reads as a modern display sans optimized for bold statements and strong typographic hierarchy.
Round letters (like O/C/G) read as superelliptic forms rather than true circles, and the numeral set follows the same tall, condensed logic for a consistent texture across mixed copy. At smaller sizes the dense counters may begin to close up, while at large sizes the uniform strokes and squared curves feel crisp and intentional.