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Free for Commercial Use

Slab Square Pyri 5 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Diamond Lake' by Rillatype, 'Collegeblock 2' by Sharkshock, 'FTY JACKPORT' by The Fontry, and 'Brew' by Wilton Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, western, industrial, authoritative, retro, rugged, display impact, space saving, heritage tone, poster style, strong branding, slab serif, condensed, blocky, high contrast, bracketless.


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This typeface is built from heavy, even strokes with prominent slab serifs and blunt, square-cut terminals. Proportions are compact and condensed, with tight internal counters and a sturdy, rectilinear skeleton that reads strongly at display sizes. Curves are controlled and slightly squared-off, while joins and serifs remain crisp and largely unbracketed, giving the forms a machined, stamped feel. The lowercase maintains a straightforward, sturdy construction with single-storey forms where expected (notably the “g”), and the numerals follow the same blocky, emphatic rhythm.

It performs best in headlines, posters, and signage where its condensed width and heavy slabs can deliver maximum impact. It also suits packaging, labels, and branding systems that want a rugged, heritage-inspired voice, especially when set in short lines or stacked compositions.

The overall tone is assertive and no-nonsense, evoking vintage wood-type posters, workwear labeling, and frontier-era display typography. Its strong vertical emphasis and hefty slabs create a confident, commanding voice that feels both nostalgic and utilitarian.

The design appears intended to deliver a bold, space-efficient display slab with a classic, poster-oriented character. Its squared terminals and emphatic serifs suggest a goal of strong reproduction in print and large-format contexts, prioritizing punchy silhouettes and a confident, vintage-industrial presence.

Spacing and rhythm favor bold impact over delicacy: counters stay relatively small, and the heavy serifs create a pronounced baseline and cap-line presence. The design’s squared detailing and consistent stroke weight help keep shapes legible and forceful in short bursts such as headlines and marks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸