Sans Other Urli 3 is a light, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, interfaces, packaging, futuristic, techno, digital, modular, geometric, sci‑fi tone, technical voice, modular system, display impact, geometric clarity, angular, square, rectilinear, minimal, constructed.
A constructed sans with squared proportions and a rectilinear, modular skeleton. Strokes maintain an even thickness with predominantly horizontal and vertical runs, while diagonals appear selectively in forms like K, V, W, X, and Y. Corners are crisp and often chamfered, producing small angled cuts that soften strict right angles without introducing curves. Counters and bowls are boxy and open, with frequent use of segmented strokes that leave small gaps at joins and terminals, creating a schematic, stencil-like feel. Numerals and punctuation follow the same squared logic, emphasizing clean alignment and consistent spacing rhythms.
Best suited for headlines, logotypes, and short blocks of copy where its constructed geometry can be appreciated. It works well for technology branding, UI labels, packaging accents, and editorial display settings that aim for a modern, engineered voice. For extended reading, it is likely most effective at moderate-to-large sizes where the segmented details remain clear.
The overall tone reads futuristic and technical, with a display-driven, digital sensibility reminiscent of interface labeling and sci‑fi titling. Its rigid geometry and deliberate segmentation suggest precision, engineering, and systems thinking rather than warmth or calligraphy.
The design intention appears to be a modern, grid-derived sans that prioritizes geometric consistency and a technical, modular aesthetic. By minimizing curves and introducing chamfered corners and occasional breaks, it aims to deliver a distinctive sci‑fi/industrial flavor while remaining legible in display contexts.
In text, the design’s angular terminals and occasional open joins create a distinctive rhythm that can feel mechanical and coded. The uppercase set appears especially architectural, while lowercase maintains the same constructed vocabulary, reinforcing a cohesive, grid-based personality.