Sans Superellipse Vadop 2 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: ui design, app branding, tech logos, product labels, headlines, futuristic, tech, sleek, modern, minimal, modernization, systematic design, clarity, friendly tech, rounded corners, geometric, soft square, modular, clean.
A geometric sans built from rounded-rectangle and superellipse forms, with consistently softened corners and largely uniform stroke thickness. Counters tend to be rectangular with generous rounding, giving letters like O, D, and P a soft-square silhouette rather than a pure circle. Straight stems and horizontal bars dominate, with curved joins handled through smooth radiused transitions; terminals are generally blunt and squared-off rather than tapered. The overall rhythm is spacious and structured, with clear, open apertures and an even, engineered texture in text.
Well suited to interface typography, dashboards, and digital product environments where a clean, geometric tone supports clarity. It also fits contemporary branding, logotypes, and short headlines where the rounded-square personality can carry a modern, engineered feel. In longer passages it maintains an even texture, especially when set with ample spacing.
The rounded-square geometry and monoline construction create a distinctly contemporary, tech-forward voice—clean, controlled, and slightly sci‑fi. It feels functional and streamlined, more like interface lettering or product branding than editorial typography, while the softened corners keep it approachable rather than harsh.
The design appears intended to blend geometric precision with softened, rounded-square forms—delivering a modern, system-like aesthetic that remains friendly and legible. Its consistent radiusing and modular construction suggest a focus on cohesive branding and screen-oriented presentation.
Distinctive forms include a superelliptic zero, a squared-off lowercase a, and a compact, rounded-shoulder m that reinforces the modular construction. Diagonals (such as in K, V, W, X, and Z) keep crisp angles but maintain the same corner radiusing for consistency, helping the design read as a unified system across uppercase, lowercase, and numerals.