Sans Other Orve 11 is a very bold, very wide, monoline, upright, normal x-height font.
Keywords: display titles, headlines, posters, game ui, sports branding, futuristic, techno, industrial, arcade, assertive, impact, sci-fi ui, modular system, branding, octagonal, angular, geometric, stencil-like, modular.
This typeface is built from rigid, geometric forms with squared counters and frequent chamfered (octagonal) corners, producing a strong, engineered silhouette. Strokes stay essentially uniform, and curves are largely replaced by straight segments, giving letters a modular, cut-from-plate feel. Openings and counters are rectangular and compact, with occasional notch-like details (notably in forms like E, S, and the lowercase a), which reinforces a stencil/constructed impression. The overall rhythm is tight and dense, with blocky shapes and minimal optical tapering; figures and capitals read as sturdy, poster-like blocks while the lowercase keeps similarly angular construction and simplified joins.
Best suited for display typography where impact and a technical aesthetic are desirable: headlines, title cards, packaging callouts, and branding that leans industrial or sci-fi. It also fits interface-style uses such as game HUDs, arcade-inspired graphics, and tech event visuals, especially when set with ample size and breathing room.
The font conveys a distinctly futuristic, game-UI tone—mechanical, high-impact, and a bit aggressive. Its sharp corners and segmented construction suggest technology, machinery, and sci-fi interfaces rather than warmth or handwriting. The texture feels loud and confident, suited to attention-grabbing, high-contrast presentation.
The design appears intended to deliver maximum visual punch through a geometric, modular construction that reads as modern and engineered. By limiting curves and using chamfered corners and stencil-like cutaways, it creates a distinctive, systematized voice optimized for bold, attention-first typography.
Diagonal elements (such as in K, X, and Z) are rendered as hard-edged wedges rather than smooth diagonals, which adds to the faceted look. Several glyphs employ deliberate cut-ins and asymmetrical notches that create distinctive internal negative shapes, improving differentiation while preserving the overall block system. The sample text shows strong presence at display sizes, while the dense counters and compact apertures may require generous sizing and spacing for longer passages.