Sans Other Orba 13 is a very bold, very wide, monoline, upright, normal x-height font visually similar to 'Imagine Font' by Jens Isensee (names referenced only for comparison).
Keywords: headlines, posters, game ui, branding, logos, futuristic, tech, industrial, arcade, assertive, impact, sci-fi feel, modular geometry, display clarity, machine aesthetic, octagonal, chamfered, blocky, angular, squared counters.
A heavy, geometric sans built from straight strokes and hard corners, with frequent chamfered (octagonal) joins. Curves are largely suppressed in favor of squared bowls and rectangular counters, creating a rigid, modular rhythm. Terminals are blunt and consistently flat, and diagonals appear as crisp, straight cuts (notably in K, N, V, W, X, Y, Z). Uppercase forms read compact and engineered, while the lowercase echoes the same construction with single‑storey a and g and boxy apertures; numerals are similarly squared, with a rectangular 0 and segmented, angular 2–9 shapes.
This font suits display work where strong, angular geometry is a feature: headlines, posters, title cards, game/UI labels, tech or industrial branding, and logo wordmarks. It can also work for short bursts of text (taglines, navigation, packaging callouts) when set with comfortable tracking and generous line spacing.
The overall tone is mechanical and forward-leaning, evoking digital interfaces, sci‑fi hardware, and arcade-era display typography. Its sharp geometry and dense color give it an assertive, high-impact presence that feels technical rather than friendly or calligraphic.
The construction suggests an intention to deliver a bold, system-like display sans with an angular, machined personality. By minimizing curves and emphasizing chamfered corners and squared counters, it aims for a futuristic, modular look that remains legible in large sizes.
The design maintains a consistent stroke thickness and a disciplined grid-like logic, but widths vary by letter, which keeps words from becoming overly uniform. Internal spacing is tight and counters are compact, so the face reads best when given enough size and breathing room.