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Free for Commercial Use

Sans Superellipse Gydij 4 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Barakat' by Denustudio and 'Midsole' by Grype (names referenced only for comparison).

Keywords: headlines, logos, posters, gaming, sports, tech, industrial, futuristic, sporty, arcade, impact, modernity, branding, modularity, legibility, squared, rounded corners, stencil-like, high contrast, blocky.


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A heavy, geometric sans built from squared forms with generously rounded corners and mostly uniform stroke thickness. Counters tend toward rounded-rectangle shapes, with tight apertures and compact internal space that reinforce a dense, blocky color on the page. Terminals are clean and blunt, with occasional angled cuts (notably in diagonals and some joins) that add a crisp, engineered feel. The lowercase is compact and sturdy, while figures are similarly squared and modular, producing a consistent, grid-friendly rhythm in display settings.

Best suited for headlines and short-form typography where its bold, squared silhouettes can read as graphic shapes—logos, posters, packaging fronts, esports and sports identities, and tech/gaming UI accents. It can also work for signage or labels when set with ample size and spacing to keep counters open enough for quick recognition.

The overall tone reads modern and machine-made—confident, punchy, and slightly retro-futuristic. Its rounded-square geometry and compact counters evoke UI hardware labeling, sci‑fi titling, and competitive sports branding, balancing toughness with a softened, approachable edge.

The design appears intended to deliver a compact, high-impact display voice using rounded-rectangle construction and uniform weight. It prioritizes a cohesive, modular system that feels engineered and contemporary, with softened corners to keep the heavy forms friendly rather than harsh.

The face maintains strong consistency across caps, lowercase, and numerals, with a pronounced preference for squarish bowls and rounded corners over circular construction. At smaller sizes the dense interiors may reduce clarity, but at headline sizes the uniform weight and modular shapes deliver a striking, emblematic presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸