Sans Other Olku 4 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Barakat' by Denustudio (names referenced only for comparison).
Keywords: headlines, logos, posters, gaming, sci-fi ui, techno, industrial, arcade, futuristic, mechanical, futurism, impact, modularity, tech branding, systematic feel, angular, square, modular, octagonal, stencil-like.
A geometric, modular sans built from straight strokes and squared/angled curves. Forms feel constructed on a grid, with frequent 45° chamfers and octagonal counters in round letters like O and Q. Strokes remain consistent in thickness with crisp terminals, and many joins resolve into hard corners rather than smooth curves. The lowercase follows the same engineered logic, with boxy bowls and compact apertures, while diagonals (K, N, V, W, X, Y) are clean and sharply cut. Numerals match the alphabet’s squared construction, giving a uniform, system-like rhythm across mixed text.
Best suited to display sizes where the angular details and octagonal counters can read clearly—such as headlines, branding marks, posters, game titles, and interface-style graphics. It can work for short bursts of text on packaging or signage when a strong, technical voice is desired.
The overall tone is technical and assertive, with a retro-digital edge reminiscent of arcade interfaces and sci‑fi hardware labeling. Its blocky geometry and strict angles project precision and toughness, reading as engineered rather than handwritten or humanist.
The design appears intended to translate a grid-based, futuristic aesthetic into a functional sans for attention-grabbing typography. By prioritizing hard angles, consistent stroke weight, and modular construction, it aims to deliver a compact, machine-made look that stays coherent across letters and numerals.
Counters are generally tight and angular, and several glyphs use inset cutouts and chamfered corners that emphasize a machined, panel-cut look. The texture in paragraphs is dense and high-contrast, favoring impact over softness, and the distinctive octagonal ‘O’ shapes become a strong repeating motif in running text.