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Wacky Tuma 5 is a bold, normal width, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, game ui, packaging, retro, techy, playful, chunky, futuristic, display impact, retro tech, quirky branding, modular styling, novelty voice, rounded corners, square forms, modular, geometric, soft-angled.


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A heavy, geometric display face built from squarish forms with generously rounded corners and predominantly monoline strokes. Counters and apertures are simplified into rectangular or slot-like openings, giving letters a modular, stencil-adjacent feel without breaking fully into separated parts. The rhythm is compact and blocky, with short terminals, broad shoulders, and occasional quirky notches and angled joins (notably in diagonals and a few lowercase forms) that keep the texture lively. Numerals follow the same squared logic, with open, simplified shapes and a consistent, engineered silhouette.

Best suited for short, high-impact text such as headlines, posters, logos, and title treatments where its chunky geometry can read clearly at larger sizes. It also fits tech-leaning or retro game UI accents, labels, and packaging where a playful, engineered texture helps set a distinctive tone. For longer passages, it will work most comfortably in brief callouts or subheads rather than continuous reading.

The overall tone reads retro-futuristic and game-adjacent: bold, friendly, and slightly eccentric. Its softened corners keep it approachable, while the boxy geometry and simplified counters suggest tech interfaces, arcade graphics, and toy-like branding. The quirky details add a wry, offbeat character that feels intentionally unconventional rather than purely utilitarian.

The design appears intended to blend softened, rounded-square construction with deliberately odd, individualized letter structures to create a memorable display voice. By keeping strokes sturdy and counters simple, it prioritizes punchy silhouettes and a consistent modular language, while adding just enough irregularity to feel custom and characterful.

Uppercase forms tend to feel more rigid and architectural, while the lowercase introduces more idiosyncratic structure (including narrow stems and distinctive joins), increasing the novelty contrast between cases. Spacing in the samples looks designed for display use, producing a dense, attention-grabbing word shape, especially in mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸