Sans Normal Ohnun 3 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Duplet Open' by Indian Type Foundry, 'Gilmer' by Piotr Łapa, 'Primeform Pro' and 'Turis' by Punchform, and 'Carmen Sans' by StudioJASO (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, confident, modern, friendly, punchy, clean, impact, clarity, modern branding, display strength, approachability, geometric, rounded, compact counters, soft corners, high legibility.
A heavy, geometric sans with broad proportions and a clean, even stroke that keeps contrast to a minimum. Curves are built from near-circular bowls with smooth joins, while terminals are mostly flat and squared, giving the forms a sturdy, engineered feel. The lowercase shows single-storey a and g with generous, rounded bowls; apertures stay fairly open, and counters remain compact but clear at display sizes. Overall spacing and rhythm feel stable and consistent, supporting dense headline setting without becoming chaotic.
Best suited for headlines, logos, posters, and other display applications where strong presence and quick readability matter. It can work for short UI labels and signage thanks to its clear shapes, but its dense weight makes it more comfortable in larger sizes than in long-form body text.
The font reads as direct and contemporary, with a friendly roundness that softens its strong weight. Its chunky silhouettes and simple construction convey confidence and clarity, making it feel well-suited to modern branding and bold messaging rather than delicate or formal typography.
The design appears intended to deliver a bold, contemporary sans with geometric clarity and approachable round forms. It prioritizes impactful silhouettes and consistent stroke behavior to keep text crisp and legible in attention-grabbing settings.
Numerals are sturdy and highly graphic, matching the letterforms in weight and roundness; the 8 is notably full and balanced, while angled forms like 4, 7, and y keep a crisp, cut look. Round letters (O, Q) are close to circular, reinforcing the geometric theme, and diagonals (V, W, X) maintain consistent thickness for a uniform color in text.