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Free for Commercial Use

Sans Normal Ohlug 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Mustica Pro' by Alifinart Studio, 'Madani' and 'Madani Arabic' by NamelaType, and 'Santral' by Taner Ardali (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, signage, friendly, modern, clean, confident, playful, impact, clarity, approachability, geometric, rounded, high contrast (ink-to-pt, compact, crisp.


Free for commercial use
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A heavy, geometric sans with uniform stroke weight and strongly rounded bowls. Curves are built from near-circular forms, while joins and terminals are mostly clean and squared, producing a crisp, constructed feel. Counters are moderately open for the weight, with compact apertures in letters like C, S, and e that emphasize solidity. Uppercase proportions feel stable and wide-set, and the lowercase shows simple, single-story forms (notably a and g) with short, sturdy ascenders and descenders. Figures are similarly robust and straightforward, designed to match the bold texture of the letters.

This style works best for display-forward applications such as headlines, brand marks, posters, packaging, and bold UI moments where clarity and impact matter. It can also support short-to-medium text blocks when spacing is managed to avoid a too-dark page color.

The overall tone is contemporary and approachable, combining geometric order with soft roundness. Its dense black presence reads confident and attention-getting, while the smooth curves keep it friendly rather than severe. The result feels practical and upbeat, suitable for energetic, modern branding.

The design appears intended to deliver a contemporary geometric voice with maximum impact and straightforward legibility. It favors simple, sturdy letterforms and consistent curves to create a dependable, brand-friendly texture that reads cleanly at prominent sizes.

At larger sizes the circular construction and consistent rhythm are especially evident, creating a strong, even typographic color. In longer lines the weight and compact openings can build density, so generous tracking or leading may help maintain clarity depending on the setting.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸