Sans Superellipse Ifny 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Croma Sans', 'Galvani', and 'Orgon Plan' by Hoftype; 'MC Maxes' by Maulana Creative; 'Ambulatoria' by Pepper Type; and 'Byker' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, logos, playful, chunky, friendly, cartoonish, punchy, impact, approachability, modernity, display, rounded, bulky, soft-cornered, blocky, compact.
A heavy, rounded sans with a soft-rectangle (superellipse) construction and large, cushioned counters. Strokes stay broadly even, with blunt terminals and corners consistently eased rather than sharp, producing a dense, poster-like texture. Proportions lean wide with ample internal space in letters like O, P, and R, while diagonals (V, W, X, Y) are thick and stable. Lowercase forms are straightforward and sturdy, with single-storey a and g, a simple vertical i/j with round dots, and a short, stout t; figures are similarly chunky with rounded, filled-in shapes.
Best suited to display settings where its chunky, rounded forms can carry personality—headlines, posters, short taglines, packaging, and brand marks. It also works well for attention-grabbing UI labels or promotional graphics when set with generous spacing and at moderate-to-large sizes.
The overall tone is upbeat and approachable, balancing bold impact with soft edges that feel friendly rather than aggressive. Its rounded geometry suggests a contemporary, consumer-facing personality that reads as fun, casual, and slightly cartoon-leaning.
Likely designed to deliver maximum visual impact with a friendly, soft-edged voice, using superelliptical curves and broad proportions to create a modern, approachable display sans. The emphasis appears to be on bold readability and characterful shapes for marketing-oriented typography rather than long-form text.
The face maintains a consistent rounded-rectangle logic across curves and joins, which helps it stay cohesive at large sizes. The dense weight and broad forms create strong word shapes for headlines, while tighter apertures and thick joins can reduce clarity in smaller settings.