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Free for Commercial Use

Distressed Puniy 5 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Example' by K-Type, 'Applied Sans' and 'Helvetica Now' by Monotype, 'Pragmatica' by ParaType, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).

Keywords: posters, album covers, streetwear, event flyers, headlines, grunge, rugged, street, raw, industrial, add texture, signal toughness, evoke printwear, create impact, inject grit, roughened, textured, blotchy, inked, punchy.


Free for commercial use
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A heavy, all-caps-forward sans with compact proportions and blunt terminals, rendered with intentionally roughened edges and speckled interior erosion. Strokes feel stamped or screen-printed, with small chips, nicks, and uneven contours creating a worn rhythm across curves and straights. Counters are generally open and simple, while bowls and joins show slight irregularity that keeps the texture consistent from glyph to glyph. Numerals match the chunky, workmanlike construction, maintaining strong presence and clear silhouettes despite the distress.

Well-suited to display applications such as posters, album/playlist artwork, streetwear graphics, packaging accents, and bold editorial or web headlines where a worn, printed look is desirable. It can also work for labels, badges, and short callouts that benefit from a tactile, imperfect texture.

The overall tone is gritty and tactile, evoking ink on rough paper, weathered signage, or distressed print ephemera. It reads as assertive and utilitarian, with a DIY edge that adds attitude and immediacy.

The design appears intended to deliver a bold, no-nonsense sans foundation while overlaying a convincing distressed print effect, capturing the look of aged ink, rough reproduction, or worn surfaces. The goal is impact first, with texture providing personality and atmosphere.

In longer text, the texture becomes a prominent visual layer; the distressed pattern is dense enough to feel deliberate rather than accidental, but it can visually accumulate at smaller sizes. The most successful setting tends to be short phrases where the rough ink character is allowed to read as part of the message.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸