Sans Other Tili 2 is a light, very narrow, monoline, upright, tall x-height font.
Keywords: posters, headlines, signage, branding, packaging, industrial, art deco, technical, retro, minimal, space saving, stylized display, technical tone, retro modernism, geometric construction, condensed, geometric, angular, rectilinear, wireframe.
This typeface is built from crisp, rectilinear strokes with squared corners and a consistent line weight. Proportions are strongly condensed with tall ascenders and compact sidebearings, producing a vertical, architectural rhythm. Curves are minimized or faceted into narrow, rounded-rectangle forms, and counters tend to be small and enclosed, especially in the bowls of B, D, O, P, and R. Terminals are blunt and squared, with occasional stepped or notched joins that reinforce a constructed, modular feel. Figures echo the same narrow, boxy geometry, maintaining a uniform, schematic presence across the set.
This font suits posters, headlines, signage, and branding that benefit from a narrow, architectural voice and a retro-technical edge. It performs best at medium to large sizes where the squared counters and tight apertures stay legible, and it can add a distinctive, engineered flavor to packaging, title treatments, and label-style graphics.
The overall tone feels engineered and era-evocative—part vintage signage, part schematic labeling. Its rigid geometry and constrained width read as disciplined and technical, while the tall, stylized letterforms add a subtle theatrical flair reminiscent of early modernist and Art Deco display typography.
The design appears intended to deliver a condensed display sans with a constructed, geometric personality—prioritizing strong verticality, modular forms, and a consistent stroke logic to create a distinctive, stylized texture in short phrases and titles.
In text settings, the tight apertures and compressed interiors create a dense texture, and the distinctive, angular construction gives many letters a strongly stylized silhouette. The design relies on vertical strokes and compact bowls, which can make similar shapes feel close in rhythm, favoring display sizes where the detailing and internal spacing remain clear.