Sans Faceted Ilvu 4 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Archimoto V01' by Owl king project (names referenced only for comparison).
Keywords: ui labels, technical docs, code samples, signage, packaging, techy, industrial, retro, systematic, neutral, faceted geometry, technical clarity, modular consistency, retro computing, octagonal, chamfered, geometric, modular, squared.
A geometric sans built from straight strokes with crisp chamfered corners, giving round letters an octagonal, faceted feel. Strokes are consistently even and the outlines avoid true curves, favoring short angled segments and squared terminals. Proportions are compact and tidy, with ample interior counters and clear separation between shapes, which keeps forms legible in a grid-like rhythm. Numerals and capitals follow the same modular construction, with distinctive, angular bowls and diagonals that reinforce the technical, engineered look.
This font suits interface labels, dashboards, and software or device UI where an orderly, technical rhythm is desired. It also works well for technical documentation, tables, and code-adjacent samples that benefit from consistent character spacing and clear, modular forms. In branding or packaging, it can signal engineered reliability and a retro-futurist, hardware-inspired aesthetic.
The overall tone is utilitarian and technical, with a subtle retro-digital flavor reminiscent of hardware labeling, instrument panels, and early computer or arcade typography. Its faceted geometry reads precise and matter-of-fact rather than expressive, creating a clean, engineered personality.
The design appears intended to translate a geometric sans into a faceted, corner-cut construction that stays highly consistent across the character set. By replacing curves with short planar segments and keeping stroke behavior uniform, it aims to deliver a crisp, manufactured look optimized for structured layouts and systematic typography.
The chamfering is applied consistently across corners and joins, which smooths the silhouette without introducing softness. Letterforms like O/Q and C/G show the design’s signature most strongly through clipped curves and angular inner corners, while the lowercase maintains a simple, functional construction suited to continuous text.