Sans Superellipse Dubay 1 is a regular weight, narrow, monoline, upright, normal x-height font visually similar to 'Charles Wright' by K-Type and 'Nulato' by Stefan Stoychev (names referenced only for comparison).
Keywords: ui labels, app design, product branding, signage, packaging, modern, technical, clean, industrial, neutral, space efficiency, system consistency, geometric clarity, contemporary branding, rounded corners, squarish, condensed, geometric, uniform strokes.
This typeface is built from squarish, rounded-rectangle forms with a consistent, monoline stroke and compact proportions. Corners are generously rounded, terminals are mostly flat, and curves tend to resolve into superellipse-like arcs rather than true circles. Counters are tight and rectangular in feeling, giving letters like O/Q/0 a distinctly rounded-square silhouette. Overall spacing reads controlled and economical, with sturdy verticals and simplified joins that keep the texture even in longer lines.
It works well for UI labels, navigation, dashboards, and compact headlines where horizontal space is at a premium. The sturdy, rounded geometry also suits tech-forward branding, packaging systems, and wayfinding-style applications that benefit from a clean, controlled texture.
The overall tone feels modern and utilitarian, with a restrained, engineered character. Its rounded corners soften the strict geometry, balancing a technical voice with a friendly, approachable finish. The narrow build and consistent stroke contribute to a focused, efficient rhythm that suits contemporary interface and product aesthetics.
The design appears intended to deliver a space-efficient sans with a distinctive rounded-rectangle geometry and consistent stroke behavior. Its simplified construction prioritizes clarity and repeatable shapes, producing a cohesive, system-ready look that remains personable through softened corners.
Distinctive details include a rounded-square zero with a diagonal slash, a Q with a short vertical tail, and simplified, boxy curves in letters like C, G, S, and 3. The lowercase uses single-storey forms (notably a and g) and compact apertures, reinforcing the geometric, screen-oriented personality.