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Free for Commercial Use

Serif Normal Omnu 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'OL Signpainter Titling' by Dennis Ortiz-Lopez, 'Emeritus' by District, 'ED Colusa' by Emyself Design, 'Hoektand' by Frantic Disorder, 'Campan' by Hoftype, 'Lumiere' by Latinotype, and 'Rehn' by moretype (names referenced only for comparison).

Keywords: headlines, posters, packaging, mastheads, book covers, assertive, traditional, editorial, warm, rugged, high impact, classic authority, robust readability, bracketed, heavy, sturdy, compact, ink-trap feel.


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A dense, strongly weighted serif with compact proportions and a steady, even color on the page. Serifs are clearly bracketed and slightly wedge-like, giving joins a softened, carved quality rather than sharp hairlines. Counters are relatively small for the weight, while terminals and shoulders show rounded transitions that keep the forms from feeling rigid. The lowercase shows sturdy, slightly blocky construction with a single-storey “a” and a pronounced ear on “g,” and the numerals match the heavy, compact rhythm for consistent texture in mixed settings.

Best suited to headlines, subheads, mastheads, and other short-to-medium text where a forceful serif voice is desired. It can also work well on packaging and book covers where compact, traditional letterforms need to carry strong visual weight.

The overall tone is confident and traditional, with an editorial heft that reads as dependable and slightly rugged. Its bold presence feels emphatic and attention-grabbing while still rooted in familiar book and newspaper serif cues.

This design appears intended to deliver a classic serif structure with maximum impact, prioritizing a firm typographic color and durable details that hold up in bold display use. The softened brackets and rounded joins suggest an aim for warmth and legibility within a heavy, attention-forward style.

At display sizes the chunky serifs and tight interior spaces create a strong silhouette, while in longer lines the heavy massing produces a dark, authoritative typographic voice. The forms favor solidity over delicacy, with minimal modulation and a consistent stroke presence throughout capitals, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸