Sans Normal Kikub 7 is a regular weight, wide, medium contrast, italic, normal x-height font visually similar to 'Interval Next' by Mostardesign, 'Belle Sans' by Park Street Studio, 'Sans Beam' by Stawix, 'Schar' by The Northern Block, and 'Nuno' by Type.p (names referenced only for comparison).
Keywords: branding, advertising, headlines, posters, packaging, dynamic, modern, friendly, informal, sporty, emphasis, momentum, clarity, approachability, oblique, humanist, rounded, open apertures, soft corners.
A slanted sans with rounded, softly tapered strokes and moderate contrast that becomes more apparent on curves and joins. The forms lean forward with a smooth, continuous rhythm, using open apertures and generous internal space that keep counters clear. Terminals are clean and slightly softened rather than sharply cut, giving letters an approachable texture. Uppercase shapes feel broad and stable, while lowercase maintains a clear, even x-height with simple, legible constructions.
Well-suited for branding, advertising, and short editorial headlines where a modern, energetic italic voice is desirable. It can also work for packaging and social graphics, especially when you want a clean sans impression with added movement. In longer text, it’s best used for emphasis, pull quotes, or subheads where the slant can add hierarchy without overwhelming readability.
The overall tone is energetic and contemporary, with a friendly, conversational feel. The consistent forward slant and smooth curves suggest motion and momentum, making the voice feel active rather than formal. It reads as approachable and modern, suitable for upbeat branding and editorial moments that want warmth without becoming playful or quirky.
The design appears intended to provide a versatile italic sans that feels active and contemporary while remaining clear at typical display and UI sizes. Its rounded finishing and open structures aim to balance speed and friendliness, supporting expressive emphasis within a clean, modern typographic system.
Round letters (like o/e) stay quite open and readable, while diagonals (v/w/x/y) emphasize the font’s forward-leaning momentum. Numerals follow the same slanted, rounded logic and sit comfortably alongside letters, supporting mixed alphanumeric settings without calling attention to themselves.