Sans Superellipse Wiwe 2 is a bold, very wide, monoline, italic, tall x-height font.
Keywords: headlines, logotypes, sports branding, gaming ui, tech packaging, futuristic, tech, racing, sleek, assertive, speed, modernity, precision, impact, branding, angular, chamfered, extended, flat terminals, rounded corners.
A slanted, extended sans with a monoline feel and a clear superellipse construction in bowls and counters. Letterforms are built from rounded-rectangle geometry with pronounced chamfers and angled joins, producing crisp, faceted silhouettes despite the softened corners. Strokes end in mostly flat, clipped terminals, and curves are controlled and squarish rather than fully circular. The lowercase keeps a high, compact structure with simple, single-storey forms and minimal contrast, while overall spacing and rhythm favor fast horizontal movement and a streamlined texture.
Best suited to display settings where its extended width and stylized geometry can read clearly—headlines, posters, product marks, and brand lockups. It also fits interface or in-game typography for futuristic dashboards and category headers, as well as sports or automotive-themed graphics. For long-form text, the strong slant and wide set are more effective as accents than as body copy.
The design reads as modern and performance-driven, evoking motorsport, sci‑fi interfaces, and contemporary industrial branding. Its sharp cuts and forward slant create a sense of speed and urgency, while the rounded-rectangle curves keep the tone polished rather than aggressive. Overall, it signals technology, precision, and motion.
The font appears intended to deliver a cohesive techno-sport aesthetic through consistent superelliptical curves, clipped terminals, and a forward-leaning stance. Its construction prioritizes speed, precision, and a contemporary industrial voice, balancing sharp angles with softened corners for a clean, aerodynamic finish.
Numerals and capitals maintain consistent corner radii and chamfer logic, reinforcing a cohesive, engineered system. Diagonal strokes (as in V/W/X/Y and the angled terminals throughout) are a dominant motif, giving the font a strong directional pull and a distinctive “designed” character at display sizes.