Sans Superellipse Wiwe 8 is a regular weight, very wide, monoline, italic, tall x-height font.
Keywords: headlines, logos, sports branding, tech ui, posters, futuristic, technical, sporty, sleek, dynamic, speed, modernity, tech aesthetic, branding impact, interface clarity, rounded corners, oblique, extended, high contrast counters, squared curves.
A clean, oblique sans with extended proportions and a consistent, monoline stroke. Letterforms are built from rounded-rectangle geometry: corners are softened, curves resolve into superelliptic arcs, and terminals are predominantly angled, producing a fast, forward-leaning rhythm. Counters are open and simplified, with squared-off bowls and rounded internal corners; joins stay crisp and mechanical. Uppercase forms read wide and stable, while the lowercase shows a tall x-height and compact extenders that keep word shapes dense and streamlined. Numerals and punctuation follow the same rounded-rect logic, with flattened curves and horizontal emphasis in forms like 2, 3, 5, and 8.
Best suited to display settings where its wide stance and oblique energy can be appreciated—branding, wordmarks, product identities, esports/sports graphics, tech-oriented interfaces, packaging callouts, and poster headlines. It also works well for short UI labels or dashboards when a futuristic tone is desired, but is less ideal for long-form reading.
The overall tone is modern and motion-oriented, combining a techno-industrial feel with a sporty, aerodynamic slant. Its rounded-square construction suggests digital interfaces and engineered products, while the oblique stance adds urgency and momentum.
The design appears intended to deliver a contemporary, engineered look by combining extended widths, rounded-rect construction, and a consistent slanted posture. The goal is a confident, forward-moving voice that feels digital and performance-driven while remaining clean and legible in display applications.
Distinctive details include the squared, rounded-corner O/0 shapes, angular cross-strokes in letters like K and X, and a geometric, open G. The spacing and wide set give headlines a panoramic, display-like presence, especially in all-caps. At smaller sizes, the tight, mechanical shaping favors short strings over long passages.