Print Ibmuk 1 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Dom' by Bitstream, 'Dom Casual EF' by Elsner+Flake, 'Dom LT' by Linotype, 'Dom' by ParaType, 'Dom Casual SB' and 'Dom Casual SH' by Scangraphic Digital Type Collection, 'Pedro Pro' by SoftMaker, 'Dom' by Tilde, and 'Dom Casual' by URW Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids media, branding, playful, friendly, hand-drawn, quirky, casual, add personality, handmade feel, approachability, playful impact, rounded, chunky, irregular, soft corners, organic.
A compact, hand-drawn print face with chunky, mostly monoline strokes and softly rounded terminals. Letterforms are intentionally irregular: stems wobble slightly, bowls vary in width, and curves feel sculpted rather than geometric, creating a lively, handmade rhythm. Counters are generally open and simplified for clarity, while diagonals and joins show subtle inconsistencies that reinforce the drawn-by-hand character. Numerals and capitals keep the same sturdy, slightly condensed build, with occasional angular inflections that add bite without introducing true contrast.
Best suited to short-to-medium display settings where character matters: posters, playful headlines, packaging, café or boutique branding, and kid-friendly or craft-oriented graphics. It can also work for pull quotes and captions at moderate sizes, where the open shapes and simple construction maintain legibility while preserving its handmade personality.
The overall tone is warm and approachable, with a humorous, offbeat charm. Its imperfect, marker-like construction reads as personal and informal, suggesting a human voice rather than a polished corporate one.
The design appears intended to deliver a bold, friendly handwritten print look with enough consistency for typesetting, while retaining the spontaneity and imperfections of drawn lettering. It prioritizes charm and approachability over precision, making it a natural fit for casual, personality-led communication.
Spacing appears comfortably loose in running text, helping the heavier strokes breathe. The silhouette stays fairly vertical and steady, but the uneven stroke edges and varied curve tension keep it energetic and distinctly non-mechanical.