Sans Normal Tyruh 3 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Avenir Next Paneuropean' by Linotype and 'Bulltoad' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, logo marks, packaging, stickers/merch, industrial, stenciled, rugged, playful, poster-like, display impact, stencil aesthetic, graphic texture, signage feel, rounded, chunky, cutout, distressed, ink-trap-like.
A heavy, rounded sans with compact proportions and strong, simple silhouettes. Many letters feature deliberate interior cutouts and breaks—often vertical slits or punched apertures—that read like stencil bridges or cut-paper counters, creating a high-contrast black/white rhythm inside otherwise solid forms. Curves are broadly circular (notably in C, O, G, Q and the numerals), while diagonals in V, W, X, Y, and Z are thick and assertive. Terminals are mostly blunt and squared-off, with occasional angled shaping, and spacing appears built for display impact more than fine text color.
Best suited to large-scale display uses such as posters, bold headlines, brand marks, packaging, and merchandise graphics where the stencil/cutout detail can be appreciated. It can also work for short UI labels or section headers when used sparingly and at sufficient size, but it is less appropriate for long-form reading.
The overall tone feels industrial and hands-on—evoking spray-stencil signage, cut vinyl, or screen-printed poster type—while the rounded construction keeps it approachable rather than harsh. The distressed cutouts add a gritty, energetic texture that suggests motion and attitude, making the face feel bold, cheeky, and attention-seeking.
The design appears intended to deliver maximum impact with a distinctive stencil-like disruption of counters, combining rounded, geometric forms with rugged cutouts to create a memorable, print-friendly display voice. The consistent bridging motif suggests an aim toward signage-inspired character and graphic texture rather than neutral text setting.
The repeated interior breaks provide a strong identifying motif across both uppercase and lowercase, especially visible in rounded letters (o, e, g) and numerals (0, 6, 8, 9). In dense settings, the internal cutouts become part of the texture, so legibility depends on size and contrast; the design reads clearest at larger scales where the stencil-like details can breathe.