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Free for Commercial Use

Solid Usri 5 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Futura BT' by Bitstream (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, apparel, grunge, industrial, rugged, playful, loud, attention, texture, grit, poster impact, stamp effect, stenciled, distressed, chunky, geometric, rounded.


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A heavy, blocky sans with compact proportions, broad strokes, and a soft-cornered geometric skeleton. Many counters are reduced or fully collapsed, turning letters like O, P, and e into mostly solid forms with only small interior breaks. The design incorporates irregular distressed cutouts and scuffed voids across strokes, plus occasional notches and wedge-like joins that give a quasi-stencil feel. Uppercase and lowercase share a consistent, simplified construction, prioritizing mass and silhouette over interior detail.

Best suited for large-scale display work where the distressed details and bold silhouettes can be appreciated—posters, headlines, branding marks, packaging callouts, and apparel graphics. It can also work for short, high-impact phrases in social graphics or editorial openers, but is less appropriate for extended body text due to the collapsed counters and heavy texture.

The overall tone is tough and attention-grabbing, combining a bold poster voice with a worn, street-level texture. Its scuffed surfaces and near-solid letterforms evoke industrial labeling, DIY print artifacts, and gritty event graphics, while the rounded geometry keeps it approachable rather than aggressive.

Likely designed to deliver maximum impact with a rugged, print-worn character, using simplified, near-solid letterforms to create strong shapes that hold up in bold, high-contrast compositions. The distressed cuts and occasional stencil-like breaks suggest an intent to simulate aged ink, abrasion, or screen-printed imperfections while keeping a consistent geometric foundation.

Because interior openings are frequently minimized, differentiation relies strongly on outer contours; characters like O/0 and similar shapes can read as solid marks at smaller sizes. The texture appears baked into the glyphs, so the font’s “weathered” look remains present even in clean layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸