Sans Normal Ohker 15 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Phi' by Cas van de Goor, 'Hanley Pro' by District 62 Studio, 'Aspira' by Durotype, 'Bergen Text' by Mindburger Studio, 'Almarose' by S&C Type, 'Infoma' by Stawix, and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, friendly, confident, modern, approachable, playful, impact, legibility, approachability, simplicity, rounded, geometric, clean, crisp, high-contrast (negative).
A heavy, rounded sans with smooth, geometric curves and largely uniform stroke weight. Counters are generous and open, giving letters like O, D, and P a clear, punchy interior space, while joins and terminals stay clean and blunt rather than tapered. Uppercase forms feel compact and sturdy with broad shoulders (M, N) and simplified diagonals (K, V, W, X), and lowercase shapes lean toward single-storey constructions (a, g) with a prominent, circular dot on i and j. Numerals are similarly robust and legible, with rounded bowls and straightforward geometry.
Best suited to headlines, logos, and short-to-medium display text where its heavy weight and open counters can create immediate impact. It also works well for signage and packaging that benefits from quick recognition at a distance, and for digital UI moments like banners or section headers where a friendly, modern emphasis is needed.
The overall tone is upbeat and solid: bold enough to feel assertive, but softened by rounded forms that read friendly rather than harsh. It suggests contemporary branding and accessible communication, with a slightly playful warmth coming from the circular construction and simple, open counters.
The font appears intended as a versatile, geometric display sans that balances strong presence with approachable rounding. Its simplified construction and consistent rhythm point to an aim of high legibility and broad usability in contemporary graphic design contexts.
The design favors clarity over nuance: curves are smooth and consistent, and spacing reads even in the sample text, producing a strong, blocky texture in paragraphs. Distinctive details include the single-storey lowercase shapes and the notably round dots, which add character without reducing legibility.