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Free for Commercial Use

Sans Normal Ohmuk 13 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Dikta Neue' by Atasi Studio, 'Moniak Sans' by Design Komando, 'Mirai' by GT&CANARY, 'Koran' by Genesislab, 'Malva' by Harbor Type, 'Core Sans N SC' and 'Core Sans NR' by S-Core, and 'Jasan' by Storm Type Foundry (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, signage, friendly, confident, modern, approachable, punchy, impact, approachability, clarity, modernity, simplicity, rounded, geometric, soft, solid, clean.


Free for commercial use
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This typeface is a heavy, rounded sans with generous proportions and smooth, continuous curves. Strokes are consistently thick with minimal modulation, and terminals tend to be cleanly cut rather than tapered, giving the letters a sturdy, even color in text. Counters are compact but clearly opened, with broadly circular bowls (O, o, 0) and simplified joins that keep shapes crisp at display sizes. The lowercase shows a single-storey a and g, a compact, straight-armed t, and a simple, legible e with a broad aperture; numerals are similarly full-bodied with a notably round 8 and an open, curved 2.

It performs best in attention-grabbing contexts such as headlines, identity systems, and brand lockups where its weight and rounded geometry can carry personality. The strong, even texture also suits short blocks of marketing copy, packaging callouts, and signage where immediate legibility and impact matter.

The overall tone is warm and approachable while still feeling contemporary and assertive. Its rounded geometry and substantial weight produce a friendly, punchy voice that reads as energetic rather than formal. The consistent shapes and clean finishing suggest a straightforward, no-nonsense modernity suited to bold messaging.

The design appears intended to deliver a bold, friendly sans voice built from simple geometric forms, prioritizing clear silhouettes and a smooth, contemporary feel. It aims to balance approachability with strong visual presence, making it effective for prominent typographic moments.

Spacing appears comfortable for a heavy sans, helping counters and apertures stay readable in the sample paragraph. Curves dominate the design, while diagonals (V, W, Y, k) are kept broad and stable, contributing to a steady rhythm and strong silhouette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸