Sans Superellipse Vodo 3 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: ui display, headlines, tech branding, product labels, signage, futuristic, technical, sleek, clean, digital, sci-fi feel, interface tone, geometric system, modern branding, industrial clarity, rounded, square, geometric, modular, streamlined.
A geometric sans built from rounded-rectangle and superellipse forms, with smooth corner radii and consistent stroke thickness. Letterforms are notably extended horizontally, producing a low, wide silhouette and an even, mechanical rhythm across words. Counters are largely rectangular with softened corners, and terminals tend to be flat or gently rounded rather than tapered. Curves are minimized in favor of squared bowls and corners, giving the alphabet a modular, engineered feel while maintaining clear apertures and stable spacing in text.
Best suited for display settings where its wide proportions and rounded-square geometry can read as intentional: interface titles, sci‑fi or tech-themed headings, product naming, packaging accents, and wayfinding/industrial signage. It can work in short-to-medium text when generous spacing and size preserve the clean counters and horizontal rhythm.
The overall tone feels futuristic and technical, with a polished, screen-oriented aesthetic. Its wide stance and rounded-square geometry suggest sci‑fi interfaces, industrial labeling, and contemporary tech branding rather than editorial warmth.
The design appears intended to deliver a contemporary, device-like sans that emphasizes rounded-rectangle construction and a broad footprint for a distinctive, modern identity. It prioritizes consistent geometry and a sleek, engineered texture across mixed-case and numerals for cohesive branding and interface-forward typography.
Distinctive superelliptical bowls and rounded-rect counters dominate the design, especially in O/C/D-style shapes and numerals, reinforcing a cohesive, system-like construction. Diagonals (such as in V/W/X/Y) stay crisp and linear, adding contrast to the predominantly squared curvature without breaking the font’s consistent, modular logic.