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Free for Commercial Use

Stencil Joti 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ultimatum MFV' by Comicraft, 'Refinery' by Kimmy Design, 'Navine' by OneSevenPointFive, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, signage, labels, packaging, industrial, military, rugged, authoritative, mechanical, stencil marking, display impact, industrial voice, graphic branding, octagonal, blocky, angular, bridged, monoline.


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This typeface is built from heavy, block-like strokes with an angular, octagonal silhouette and flat terminals. Stencil breaks appear as consistent internal bridges and notches that split bowls and counters, producing a punched, cut-out feel. The forms are largely monoline and geometric, with squared-off curves and a compact, upright stance. Uppercase construction is especially rigid and modular, while the lowercase echoes the same bridged logic with simplified, sturdy shapes and tight apertures.

It performs best at large sizes where the stencil bridges and angular detailing can be appreciated—posters, titles, warning-style signage, product labels, and bold packaging graphics. It can also work for short bursts of text in theme-driven layouts, where a rugged, industrial voice is desired.

The overall tone is utilitarian and tough, evoking industrial labeling, equipment markings, and no-nonsense signage. Its sharp corners and deliberate breaks give it a functional, engineered personality that reads as strict, disciplined, and somewhat militaristic.

The design appears intended to emulate painted or cut stencil lettering used for practical marking, while amplifying the geometry into a bold, graphic display style. Its consistent bridges and squared curves suggest a focus on durability and high-impact legibility in attention-getting applications.

The stencil joins are prominent enough to become a defining texture in text settings, creating a repeating rhythm of vertical splits through many characters (notably in rounded letters and numerals). The design favors recognizability through strong silhouettes over delicate interior detail, and it maintains a consistent, cut-metal aesthetic across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸