Font Hero

Free for Commercial Use

Stencil Jopo 5 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Boldine' by Fateh.Lab, 'ITC Machine' by ITC, and 'PODIUM Soft' by Machalski (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, branding, industrial, military, retro, mechanical, assertive, impact, template marking, ruggedness, display clarity, industrial tone, geometric, condensed, angular, modular, monolinear.


Free for commercial use
Customize the font name

A condensed, geometric display face built from heavy, straight-sided strokes and sharp chamfered corners. Letterforms are constructed with consistent stem thickness and crisp, planar joins, producing a rigid, modular rhythm. Clear stencil breaks appear as vertical and diagonal bridges in both uppercase and lowercase, while counters tend toward compact, squared shapes. The overall texture is dense and uniform, with tight interior space and strong vertical emphasis that keeps lines of text looking solid and blocky.

Best suited for attention-grabbing display work such as posters, album or event titles, bold branding, and packaging that benefits from an industrial stencil aesthetic. It also works well for signage-style applications and short callouts where the strong structure and stencil breaks are part of the visual message.

The font projects an industrial, utilitarian tone—confident, tough, and engineered. Its stencil interruptions and angular silhouettes evoke labeling, equipment markings, and regimented signage, giving it a disciplined, no-nonsense character with a retro-militaria edge.

The design appears intended to deliver a compact, high-impact stencil look that feels fabricated and functional, balancing strict geometry with just enough segmentation to suggest real-world marking templates. It aims for strong presence and quick recognition in titles and labels rather than subtlety in long text.

Diagonal strokes (notably in A, N, V, W, X, and Y) are handled with clean cutaways that maintain the stencil logic without softening the geometry. Numerals follow the same segmented construction, reading like cut metal or painted template forms, and the overall impression remains highly graphic at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸