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Free for Commercial Use

Stencil Jopo 5 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Boldine' by Fateh.Lab, 'ITC Machine' by ITC, and 'PODIUM Soft' by Machalski (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, branding, industrial, military, retro, mechanical, assertive, impact, template marking, ruggedness, display clarity, industrial tone, geometric, condensed, angular, modular, monolinear.


Free for commercial use
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A condensed, geometric display face built from heavy, straight-sided strokes and sharp chamfered corners. Letterforms are constructed with consistent stem thickness and crisp, planar joins, producing a rigid, modular rhythm. Clear stencil breaks appear as vertical and diagonal bridges in both uppercase and lowercase, while counters tend toward compact, squared shapes. The overall texture is dense and uniform, with tight interior space and strong vertical emphasis that keeps lines of text looking solid and blocky.

Best suited for attention-grabbing display work such as posters, album or event titles, bold branding, and packaging that benefits from an industrial stencil aesthetic. It also works well for signage-style applications and short callouts where the strong structure and stencil breaks are part of the visual message.

The font projects an industrial, utilitarian tone—confident, tough, and engineered. Its stencil interruptions and angular silhouettes evoke labeling, equipment markings, and regimented signage, giving it a disciplined, no-nonsense character with a retro-militaria edge.

The design appears intended to deliver a compact, high-impact stencil look that feels fabricated and functional, balancing strict geometry with just enough segmentation to suggest real-world marking templates. It aims for strong presence and quick recognition in titles and labels rather than subtlety in long text.

Diagonal strokes (notably in A, N, V, W, X, and Y) are handled with clean cutaways that maintain the stencil logic without softening the geometry. Numerals follow the same segmented construction, reading like cut metal or painted template forms, and the overall impression remains highly graphic at display sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸