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Free for Commercial Use

Sans Normal Yiniz 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Muller' and 'Muller Next' by Fontfabric, 'Bumpo' and 'Bumpo Soft' by Graphite, 'Knicknack' by Great Scott, 'TT Norms Pro' by TypeType, 'Grold Rounded' by Typesketchbook, and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids, stickers, playful, handmade, bold, casual, friendly, handmade feel, display impact, casual branding, playful tone, rounded, chunky, inked, rough-edged, soft.


Free for commercial use
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A heavy, rounded sans with chunky strokes and softly squared curves. Letterforms have an intentionally uneven, hand-inked edge: contours wobble slightly, corners look blunted, and counters are irregular but kept open enough for clear silhouettes. Proportions are compact with a sturdy baseline feel, while widths vary noticeably from glyph to glyph, creating a lively, informal rhythm in words. Numerals and capitals match the same dense, cutout-like weight and simplified construction.

Well-suited for short, bold statements where personality matters: posters, display headlines, packaging, labels, stickers, and social graphics. It can also work for kid-friendly or casual branding where a handmade, tactile feel is desired, while extended paragraphs may need larger sizes and generous spacing to avoid a heavy, inky block.

The overall tone is playful and crafty, like a stamped or brush-painted headline on packaging or a poster. Its irregular edges and bouncy rhythm read as approachable and humorous rather than formal or technical, with a slightly retro, handmade charm.

The design appears intended to deliver a bold sans voice with a handmade, inked finish—combining simple, rounded construction with controlled roughness to suggest printing, stamping, or hand-painted lettering.

At text sizes the dark color builds quickly, so the design reads best with comfortable tracking and line spacing. The roughness appears consistent across uppercase, lowercase, and figures, giving mixed-case settings a cohesive, deliberately imperfect texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸