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Solid Idsa 8 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'FF Clan' and 'FF Good Headline' by FontFont, 'Muller Next' by Fontfabric, 'Gotham' by Hoefler & Co., 'Antry Sans' by Mans Greback, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, album art, packaging, stickers, playful, rough-cut, bold, cartoonish, rowdy, maximum impact, handmade feel, graphic punch, texture-forward, blobby, chunky, handmade, distressed, uneven.


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A compact, heavy display face built from dense, ink-like silhouettes with little to no internal counters. Strokes are thick and blocky, with subtly ragged edges and uneven terminals that suggest a cutout or stamped process rather than clean vector geometry. Curves are simplified into swollen forms, while straight strokes show slight waviness, creating an irregular rhythm across words. The overall spacing feels tight and packed, and the figures follow the same solid, massy construction for strong headline presence.

Best suited to short, high-impact settings such as posters, headlines, event promotions, album/merch graphics, packaging callouts, and playful branding moments. It performs well when set large with generous line spacing, where the silhouette-driven forms can read cleanly and the rugged texture becomes a feature rather than noise.

The font projects a mischievous, energetic tone—more comic and handmade than formal. Its solid, blunted shapes and rough perimeter give it a gritty, DIY attitude that reads as loud and attention-seeking. The irregularities add personality and a slightly rebellious, street-poster flavor.

The design appears intended to deliver maximum visual mass with a handmade, cutout-like character. By minimizing counters and embracing rough edges, it prioritizes attitude and graphic presence over traditional text readability, aiming for a distinctive, novelty display voice.

Because interior openings are largely collapsed, letter differentiation relies on outer silhouettes and distinctive notches; this boosts impact at large sizes but can reduce clarity as size decreases. The uneven edge texture is consistent enough to feel intentional, giving lines of text a lively, slightly jittery cadence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸