Sans Superellipse Ragew 2 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Bloeien' by Aidan Cooke, 'Coign' by Colophon Foundry, 'Nexusbold Sans' by Ferry Ardana Putra, 'Cimo' by Monotype, 'Sambia' by Sergio Storm, and 'Robson' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, industrial, condensed, retro, editorial, punchy, space saving, high impact, signage clarity, geometric character, display emphasis, vertical, squared-round, high-contrast rhythm, compact, geometric.
A tightly condensed sans with extreme vertical proportions and a strong, even stroke. Curves are built from rounded-rectangle geometry, giving bowls and counters a squared-round, superelliptical feel rather than true circles. Terminals are predominantly flat and blunt, and the narrow apertures create compact counters that emphasize a continuous, column-like rhythm across words. Uppercase and lowercase share a tall, linear structure, and the figures follow the same compressed, upright stance for a consistent typographic color.
This font is well suited to display settings where a compact footprint and high impact are needed, such as headlines, posters, packaging, and storefront or wayfinding signage. It can also serve as a distinctive brand voice for logos and short phrases, especially where verticality and density help create a strong typographic presence.
The overall tone is assertive and utilitarian, with a slightly retro, display-driven character. Its compressed, rigid stance and squared-round curves evoke industrial signage and headline typography, projecting confidence and urgency. The repeating vertical strokes create a deliberate, mechanical cadence that feels modern yet reminiscent of earlier condensed grotesques.
The design appears intended to maximize impact and economy of space by pairing a tightly condensed width with sturdy, uniform strokes and squared-round geometry. It aims for a clean sans structure while leaning into a distinctive superelliptical shaping to create a memorable, modern-industrial display look.
Because many letters share similar narrow silhouettes, the design leans on subtle internal shaping and superelliptical counters for differentiation. Spacing appears tuned for tight set headlines, producing a dense texture that reads as bold blocks at distance. The strong vertical emphasis makes it especially striking in all caps.