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Free for Commercial Use

Distressed Kehu 4 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Astern Shade' and 'Fendesert' by Edignwn Type, 'Ad Design JNL' by Jeff Levine, 'MVB Diazo' by MVB, and 'Bergam' by vuuuds (names referenced only for comparison).

Keywords: posters, headlines, packaging, album covers, event flyers, grunge, playful, handmade, rugged, retro, tactile texture, diy print, worn signage, bold impact, blobby, roughened, speckled, chunky, soft-edged.


Free for commercial use
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A chunky, heavy display face with compact proportions and a mostly upright stance. Letterforms are built from stout strokes and simple, sturdy silhouettes, then heavily textured with irregular, blobby edges and a stippled, porous perimeter that reads like sponge-printing or thick ink pressed into rough paper. Counters are generally small and occasionally uneven, and the overall rhythm is lively due to the distressed contour treatment and slightly varied glyph widths.

Well-suited for short, high-impact typography such as posters, headlines, packaging callouts, album/merch graphics, and event flyers where the textured edge can do visual work. It can also function for brief subheads or pull quotes, especially when the goal is a tactile, handmade look rather than clean, continuous reading.

The texture and softened outlines give the font an informal, mischievous tone—more crafty and tactile than slick or technical. It suggests DIY printing, zine culture, and worn, lived-in signage, with a friendly roughness that feels energetic rather than aggressive.

The design appears intended to deliver a bold silhouette with a deliberately imperfect, ink-worn surface, combining strong readability at display sizes with a distinctive distressed character. The consistent roughened outline across the set suggests an emphasis on texture as the primary stylistic signature.

The distress effect is consistent across uppercase, lowercase, and numerals, creating a cohesive “inked” color on the page. In longer lines of text the texture becomes a dominant feature, so spacing and legibility feel best when set with some breathing room and at sizes where the edge detail can be seen.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸