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Free for Commercial Use

Sans Superellipse Lomok 2 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Artegra Sans' by Artegra, 'Bourgeois' and 'Bourgeois Rounded' by Barnbrook Fonts, 'Helvegen' by Ironbird Creative, and 'MVB Diazo' by MVB (names referenced only for comparison).

Keywords: ui labels, wayfinding, packaging, posters, headlines, modern, technical, compact, industrial, signage, space saving, modern clarity, systematic geometry, friendly tech, rounded corners, condensed, monoline, geometric, squarish curves.


Free for commercial use
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A condensed sans with monoline strokes and a strong rounded-rectangle construction. Curves resolve into softened corners rather than fully circular bowls, giving letters a superelliptical, slightly squarish silhouette. Counters are relatively tight and verticals are straight and steady, with compact proportions and a rhythmic, even texture in text. Terminals are clean and rounded, and the overall drawing stays consistent across capitals, lowercase, and numerals.

Well-suited to interface labels, dashboards, and navigational systems where compact letterforms help conserve space without becoming fussy. It also fits branding, packaging, and poster headlines that want a modern, industrial voice with rounded friendliness. In text settings, it works best at larger sizes or with added tracking to keep the dense texture open.

The tone feels contemporary and utilitarian, with a sleek, engineered character. Its compact width and softened geometry read as modern and approachable while still leaning technical and efficient.

Likely designed to deliver a space-efficient, contemporary sans with softened geometry—pairing a structured, technical skeleton with rounded corners for a more approachable finish. The consistent stroke weight and compact proportions suggest an emphasis on clarity and repeatable rhythm across a wide range of glyphs.

Distinctive superellipse-like shaping is especially noticeable in rounded letters and numerals, producing a “rounded-rect” feel that suits structured layouts. The condensed fit and tight counters create a dense color that benefits from generous tracking and comfortable line spacing in longer passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸