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Free for Commercial Use

Serif Flared Ryneh 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Neilvard' by Arterfak Project, 'Bardens' by Bale Type, 'Copperplate New' by Caron twice, 'OL Signpainter Titling' by Dennis Ortiz-Lopez, 'Hoektand' by Frantic Disorder, and 'The Pincher Brothers' by Larin Type Co (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports graphics, confident, retro, sporty, friendly, editorial, impact, retro flavor, warm authority, headline clarity, flared, tapered, bracketed, rounded, chunky.


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A heavy display serif with broad, assertive strokes and subtly flared terminals that widen into soft wedge-like endings. Serifs are short and integrated, with gentle bracketing rather than crisp hairlines, giving the letterforms a carved, sculptural feel. Curves are full and rounded, counters are open for the weight, and joins stay smooth and consistent, producing an even, steady rhythm across text. The overall construction feels compact and sturdy, with pronounced top-and-bottom horizontals and a clear, upright stance.

Best suited to headlines, short paragraphs, and display settings where strong typographic color is desirable—posters, brand marks, packaging, and promotional graphics. It can also work for editorial section headers or pull quotes where a classic serif voice is needed but with extra weight and punch.

The font reads bold and self-assured, with a warm retro character that recalls mid‑century headlines and energetic signage. Its softened flares and rounded shapes keep the tone approachable rather than severe, making it feel both authoritative and inviting. The heavy presence adds impact, while the refined serif treatment lends a slightly editorial, classic finish.

The design appears intended to deliver maximum impact while avoiding sharp, delicate detailing: a bold serif voice with flared, tapered endings to add personality and a slightly vintage polish. It balances robustness with soft shaping so it can feel emphatic without becoming harsh.

In longer sample lines the dense color and strong serif cues create a distinctive texture, so it feels most at home when allowed generous spacing and scale. Numerals and capitals share the same stout, rounded treatment, maintaining consistency for titling systems and number-forward layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸