Sans Superellipse Limo 9 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui design, app branding, tech branding, product design, signage, techy, futuristic, friendly, clean, playful, modernize, systematize, soften, digitize, brandability, rounded, squared, geometric, modular, soft-cornered.
A geometric sans built from rounded-rectangle and superellipse-like forms, with uniform stroke weight and consistently softened corners. Curves are controlled and slightly squared-off, giving counters and bowls a boxy, modular feel (notably in O/0 and rounded letters). Terminals are smoothly finished and often horizontal, contributing to a steady rhythm and a compact, engineered silhouette. Overall spacing appears open and even, supporting clear word shapes in running text despite the strongly geometric construction.
This face is a strong fit for UI and product surfaces where a modern, geometric tone is desired—dashboards, device screens, and software branding. Its rounded-square forms also work well in logos, titles, packaging for tech-oriented products, and environmental graphics where a clean, contemporary look is needed. It is especially effective at medium to large sizes where the distinctive superellipse geometry becomes a recognizable signature.
The font reads as contemporary and tech-forward, with a friendly, approachable softness from the rounded corners. Its modular geometry adds a futuristic, interface-like character, while the smooth monoline execution keeps it calm and clean rather than aggressive. The overall tone feels modern, slightly playful, and well-suited to digital contexts.
The design appears intended to translate a superellipse/rounded-rectangle construction into a legible sans that feels both engineered and approachable. By keeping strokes uniform and corners consistently softened, it aims to deliver a cohesive, modern identity with a clear digital and industrial-design influence.
Several glyphs emphasize rectilinear construction—especially the rounded-square O/0, the segmented feel in S, and the squared bowls in letters like D and P—creating a cohesive system throughout uppercase, lowercase, and numerals. Numerals follow the same superellipse logic and appear designed for visual consistency alongside the caps. The lowercase maintains a simple, single-storey construction where applicable, reinforcing the minimal, geometric voice.